Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies's 'Canzona quarta a 4, due canti e due bassi' came out on January 1, 2004. The duration of Canzona quarta a 4, due canti e due bassi is about 3 minutes long, at 3:05. Based on our data, "Canzona quarta a 4, due canti e due bassi" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Frescobaldi: Canzoni by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies. Based on our statistics, Canzona quarta a 4, due canti e due bassi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzona quarta a 4, due canti e due bassi by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa Delli Apostoli: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | D♭ Minor | 3 | 12A | 74 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
O Jove, from stately throne | Richard Farrant, Catherine King, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 78 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM |