Johannes Kotter, Rene Clemencic made "Praeludium in la" available on May 13, 2003. The duration of Praeludium in la is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Praeludium in la's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works For Clavichord Vol. 2 by Rene Clemencic. The song's track number on the album is #10 out of 66 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Praeludium in la is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Praeludium in la by Johannes Kotter, Rene Clemencic has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Praeludium in la being at 93 テンポ, the half-time would be 46 テンポ with a double-time of 186 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Epistle Sonata in C major, K. 336 | Wolfgang Amadeus Mozart, Academy of Ancient Music, Christopher Hogwood | B Major | 3 | 1B | 132 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 40 Choral: "Bin ich gleich von dir gewichen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | B Minor | 2 | 10A | 111 BPM | ||
Der Mensch, ein Gottesmörder: Symphonia | Leopold Mozart, Harmonices Mundi, Bozen Baroque Ensemble, Claudio Astronio | A Minor | 4 | 8A | 132 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
Suite in E Major, P.434: V. Gyque | Johann Pachelbel, Simone Stella | E♭ Major | 2 | 5B | 0 BPM | ||
Fugue Number 15 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 22 in B flat minor, BWV 867 | Luc Beauséjour | A Minor | 2 | 8A | 73 BPM | ||
L'art de toucher le clavecin: No. 8, Prelude in E Minor | François Couperin, Andrew Appel | C Major | 5 | 8B | 72 BPM |