On June 30, 2017, the song "French Suite No. 2 in C minor, BWV 813: 5. Menuet" was released by Johann Sebastian Bach, Vladimir Ashkenazy. With French Suite No. 2 in C minor, BWV 813: 5. Menuet being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 39 in Bach: French Suites, BWV 812-817 by Johann Sebastian Bach, Vladimir Ashkenazy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of French Suite No. 2 in C minor, BWV 813: 5. Menuet is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of French Suite No. 2 in C minor, BWV 813: 5. Menuet by Johann Sebastian Bach, Vladimir Ashkenazy is Presto (very, very fast), since this song has a tempo of 180 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Arabesque No. 2 in G Major - Duo-Art 5808 | Claude Debussy, Peter Phillips, Paquita Madriguera | A Minor | 2 | 8A | 125 BPM | ||
3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 | Stephen Hough | F Major | 2 | 7B | 118 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
The Gadfly, Op. 97: Prelude (Arr. Atovmyan for Cello, Saxophone & Piano) | Dmitri Shostakovich, Alban Gerhardt, Alliage Quintett | A Major | 1 | 11B | 85 BPM | ||
La Belle et la Bête - Arr. for Piano duet: VI. La confiance de la Bête | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 0 | 7B | 107 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
16 German Dances, D. 783: No. 10 in A Minor | Franz Schubert, Piers Lane | D Major | 0 | 10B | 77 BPM |