"Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse)" by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham was released on January 1, 1977. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Purcell: Funeral Music for Queen Mary & Anthems". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse) by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Messe "Cum Jubilo", Op. 11: IV. Benedictus (1967 Version) | Maurice Duruflé, Choir of King's College, Cambridge, Ashley Riches, Stephen Cleobury | A Major | 0 | 11B | 76 BPM | ||
Sword in the Soul: Nunc Dimittis | Francis Grier, London Choral Sinfonia, Michael Waldron, Simon Callow, Samantha Bond, Brian O'Kane, James Orford, Adrian Peacock | F♯ Major | 4 | 2B | 110 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Andante in D | Alfred Hollins, Timothy Byram-Wigfield | D Major | 0 | 10B | 72 BPM | ||
Organ Concerto in G Major, BWV 592 (After J. Ernst's Violin Concerto a 8): III. — | Johann Sebastian Bach, Timothy Byram-Wigfield | E Major | 4 | 12B | 67 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Missa Corona Spinea: Sanctus - Benedictus | John Taverner, Christ Church Cathedral Choir, Oxford, Francis Grier | E♭ Major | 1 | 5B | 63 BPM | ||
Sword in the Soul: Narration 4 | Francis Grier, London Choral Sinfonia, Michael Waldron, Simon Callow, Samantha Bond, Brian O'Kane, James Orford, Adrian Peacock | D♭ Major | 2 | 3B | 79 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM |