"Sonata for 2 Violins, Op. 5, No. 8: II. Largo" by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La was released on January 1, 2002. The duration of Sonata for 2 Violins, Op. 5, No. 8: II. Largo is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sonata for 2 Violins, Op. 5, No. 8: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 30 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 8: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 8: II. Largo by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin, books 1 & 4: Ground after the Scotch humour | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Sett in D Minor, Op. 2: V. Jigg | James Paisible, Musica Barocca | E Major | 1 | 12B | 123 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: III. Allegro assai | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: IV. Gigue | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 68 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Sonata for 2 Violins, Op. 5, No. 4: III. Adagio | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | B Minor | 1 | 10A | 99 BPM | ||
Armide, LWV 71, Act I Scene 3: Sarabande (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | C Major | 3 | 8B | 112 BPM |