"Variations on a Theme of Corelli, Op. 42: Var. 15. L'istesso tempo" by Sergei Rachmaninoff, Howard Shelley was released on March 1, 1993. With Variations on a Theme of Corelli, Op. 42: Var. 15. L'istesso tempo being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 143 in the song's album "Rachmaninoff: Complete Solo Piano Music". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations on a Theme of Corelli, Op. 42: Var. 15. L'istesso tempo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Theme of Corelli, Op. 42: Var. 15. L'istesso tempo by Sergei Rachmaninoff, Howard Shelley having a テンポ of 168 with a half-time of 84 テンポ and a double-time of 336 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 34: No. 1 in C Major. Moderato | Dmitri Shostakovich, Tatiana Nikolayeva | D Minor | 0 | 7A | 70 BPM | ||
6 Waltzes, Op. 28: No. 1, Passionato | Xaver Scharwenka, Seta Tanyel | C Major | 1 | 8B | 124 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Lavignac: Galop-marche à huit mains (Arr. Lemoine for Piano 4-Hands) | Albert Lavignac, Alexandre Tharaud, Frank Braley | D Minor | 1 | 7A | 90 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
24 Preludes, Op. 11: No. 9 in E Major | Alexander Scriabin, Maria Lettberg | D♭ Minor | 0 | 12A | 77 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
12 Etudes in All the Minor Keys, Op. 39 / No. 12, Le festin d'Ésope: Var. 14 - Var. 16 | Charles-Valentin Alkan, Bruce Liu | E Minor | 4 | 9A | 99 BPM | ||
25の練習曲作品100 第12曲 別れ | Franz Burgmüller, Rintaro Akamatsu | E♭ Major | 1 | 5B | 179 BPM | ||
Variazioni di bravura on a Theme by Rossini: Theme – | Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 137 BPM |