"La traviata / Act 1: "Un dì felice, eterea"" by Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi was released on January 1, 2005. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #5 out of 38 tracks. The popularity of La traviata / Act 1: "Un dì felice, eterea" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 1: "Un dì felice, eterea" by Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi has a tempo of 160 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La traviata / Act 1: "Un dì felice, eterea" being at 160 テンポ, the half-time would be 80 テンポ with a double-time of 320 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Sacred Pieces (Quattro pezzi sacri): Stabat Mater | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | C Major | 0 | 8B | 79 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
L'orsque j'etais enfant | André Messager, Anna Netrebko | C Minor | 1 | 5A | 135 BPM | ||
Spontini: La Vestale, Act 2: "O nome tutelar" (Julia) | Gaspare Spontini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 172 BPM | ||
Rigoletto: Act IV: Bella figlia dell'amore | Giuseppe Verdi, Sir Georg Solti, Alfredo Kraus, Rosalind Elias, Anna Moffo, Robert Merrill | A Minor | 7 | 8A | 148 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM |