Rosalie Sorrels's 'Rock Salt & Nails' had a release date set for 2005. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 124 in the song's album "Starlight on the Rails: A Songbook". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Based on our statistics, Rock Salt & Nails's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rock Salt & Nails by Rosalie Sorrels having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slide On | Tucker Zimmerman | D Major | 4 | 10B | 125 BPM | ||
The Charge on Mother Jones | U. Utah Phillips, Rosalie Sorrels | E Major | 1 | 12B | 151 BPM | ||
When Morning Breaks | Tom Paxton | A♭ Major | 2 | 4B | 126 BPM | ||
Song to Keep You Company - Live at the BBC, Top Gear Session, 1969 | Bridget St John | D Major | 4 | 10B | 119 BPM | ||
Polly Vaughn | Tia Blake | A Minor | 1 | 8A | 85 BPM | ||
Eccentric Requiem Song | Gordon Bernard | G Minor | 1 | 6A | 97 BPM | ||
Atlantis | Dory Previn | F Major | 2 | 7B | 120 BPM | ||
Single Girl | The Kossoy Sisters | B♭ Major | 2 | 6B | 99 BPM | ||
House Carpenter | Rosalie Sorrels | F Major | 0 | 7B | 114 BPM | ||
It's Alright to Linger | Elyse Weinberg | G Major | 5 | 9B | 114 BPM |