"Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary"" by London Festival Orchestra was released on January 1, 2008. The duration of Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary" is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 26 in Classical Piano's Greatest Moments by London Festival Orchestra. Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary" by London Festival Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
Tchaikovsky: Piano Concerto No. 1 in B flat Minor | London Festival Orchestra | B♭ Major | 3 | 6B | 112 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Raymond Leppard, English Chamber Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
Shine Jesus Shine | Linda McKechnie, London Festival Orchestra | F Major | 3 | 7B | 118 BPM | ||
Der Opernball. Overture: Im Chambre Separée | Richard Heuberger, Josef Sakonov, London Festival Orchestra | C Major | 2 | 8B | 106 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM |