"Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle" by Jacques Offenbach, Jean-Yves Thibaudet was released on January 1, 2007. Since Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Aria: Opera Without Words by Jean-Yves Thibaudet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle by Jacques Offenbach, Jean-Yves Thibaudet is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
La Belle Excentrique (fantasie sérieuse): 1. Marche Franco-Lunaire | Erik Satie, Jean-Yves Thibaudet | G Major | 1 | 9B | 69 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 0 | 4B | 96 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Havanaise in E Major, Op. 83 | Camille Saint-Saëns, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes Wildner | E Major | 1 | 12B | 95 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Jean-Yves Thibaudet | G Major | 0 | 9B | 101 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) | James Ehnes | B♭ Major | 1 | 6B | 63 BPM | ||
La traviata, Act III: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 77 BPM |