"Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me"" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe was released on July 31, 2007. Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me" appears to be safe for all ages as it is not explicit. The track order of this song in Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe's "Lassus: Psalmi Davidis poenitentiales" album is number 1 out of 7. On top of that, France appears to be the country where this track was created. Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Hymn To The Mother Of God (Bogoroditse Devo) | Vasily Kalinnikov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Le Jeune: Le Printemps: No. 1, Revecy venir du Printans | Claude Le Jeune, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Gratia sola Dei, LV 364 (Arr. E. Rice for Vocal & Instrumental Ensemble) | Orlande de Lassus, Ensemble Origo, Eric Rice | G Major | 1 | 9B | 74 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM |