Evandro Reis made "Copacabana Beach" available on 2010. The duration of Copacabana Beach is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Copacabana Beach's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 14 in Brazilian Acoustic Guitar by Evandro Reis. Copacabana Beach is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Copacabana Beach by Evandro Reis is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Supper For Two | Picante | A♭ Major | 1 | 4B | 121 BPM | ||
Amazonas | Fogueira Tres | A Minor | 5 | 8A | 90 BPM | ||
E' Preciso Perdoar | Donati | F Minor | 4 | 4A | 173 BPM | ||
Samba de mon coeur qui bat | Les Chiques | E♭ Major | 3 | 5B | 144 BPM | ||
Você e Eu | Fogueira Tres | G Major | 6 | 9B | 132 BPM | ||
Onda de Bossa | The Sura Quintet | F Major | 6 | 7B | 116 BPM | ||
Li - Instrumental | Evandro Reis | D♭ Minor | 7 | 12A | 90 BPM | ||
Brisa Mar - Nicola Conte Re-Work | Sabrina Malheiros | F Minor | 6 | 4A | 94 BPM | ||
Café Roma | Brass | A Major | 7 | 11B | 196 BPM | ||
Partir | Tom & Joy | C Major | 6 | 8B | 105 BPM |