"Who Watches the Watchers: We Are Flesh and Blood" by Ron Jones was released on February 16, 2011. The duration of Who Watches the Watchers: We Are Flesh and Blood is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Who Watches the Watchers: We Are Flesh and Blood's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Star Trek: The Next Generation, 8: Evolution/Who Watches the Watchers/Booby Trap/The Price". In this album, this song's track order is #17. Who Watches the Watchers: We Are Flesh and Blood is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Who Watches the Watchers: We Are Flesh and Blood by Ron Jones having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Cold Place | Daniel Pemberton | D Minor | 8 | 7A | 155 BPM | ||
Royal Baby Maker | Lily Jimeth | A♭ Major | 2 | 4B | 101 BPM | ||
Fly Catchers | George Fenton | C Minor | 2 | 5A | 83 BPM | ||
Pee Break And Kissing Tunnel | Dave Grusin | B♭ Major | 2 | 6B | 80 BPM | ||
Bat Hunt | George Fenton | B♭ Major | 2 | 6B | 72 BPM | ||
Through The Surveillance Monitor | Don Davis | N/A | N/A | N/A | 0 BPM | ||
Eyes on the Enterprise | Nami Melumad | C Major | 1 | 8B | 147 BPM | ||
He’s The One Alright | Don Davis | D Minor | 3 | 7A | 134 BPM | ||
Confrontation | David Shire | F♯ Minor | 2 | 11A | 66 BPM | ||
Talking To Data | Jeff Russo | D Minor | 0 | 7A | 64 BPM |