"6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor. Allegro moderato" by Franz Schubert, Lang Lang was released on November 22, 2023. The duration of 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor. Allegro moderato is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 150 in A Concert of Pianists by Franz Schubert, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Frédéric Chopin, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor. Allegro moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor. Allegro moderato by Franz Schubert, Lang Lang is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No. 3 | Erik Satie, Philippe Entremont | A Minor | 0 | 8A | 131 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM |