"Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen" by Johannes Brahms, Anders Eidsten Dahl was released on September 26, 2011. With Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johannes Brahms, Anders Eidsten Dahl's "Johannes Brahms: Organ Works" album is number 15 out of 20. On top of that, Norway appears to be the country where this track was created. Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen by Johannes Brahms, Anders Eidsten Dahl to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Koralpartita nr. 1, Op. 7: I. Langsomt koraltempo | Egil Hovland, Anders Eidsten Dahl | D Major | 3 | 10B | 92 BPM | ||
Celebratio | Frank Kaman | B♭ Major | 4 | 6B | 83 BPM | ||
Toccata in G | Théodore Dubois, Martin Schellenberg | G Major | 2 | 9B | 109 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Minor | 2 | 6A | 138 BPM | ||
Suite Gothique, Op. 25: II. Menuet gothique. Allegro | Léon Boëllmann, Ian Tracey | C Major | 0 | 8B | 69 BPM | ||
Urkukoraali: Nyt se suuri päivä koitti | Vesa Kajava | A Major | 1 | 11B | 136 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
Ricercar 5 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | G Major | 1 | 9B | 65 BPM | ||
Mass No. 4: IV. Sortie | Pierre Cochereau | C Major | 6 | 8B | 111 BPM |