Johann Pachelbel, Matthew Owens made "Magnificat Fugue Primi Toni IV, P260" available on July 1, 2022. With Magnificat Fugue Primi Toni IV, P260 being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Pachelbel: Organ Works, Volume 2". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Magnificat Fugue Primi Toni IV, P260 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Magnificat Fugue Primi Toni IV, P260 by Johann Pachelbel, Matthew Owens having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Musicalischer Parnassus: Terpsichore, Suite No. 7: I. Tastada | Johann Caspar Ferdinand Fischer, Luc Beauséjour | F♯ Major | 2 | 2B | 93 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: II. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM | ||
Suite No. 3 in D Minor, HWV 428: IV. Courante | George Frideric Handel, Dina Ugorskaja | D Minor | 2 | 7A | 58 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 12 in F minor, BWV 857 | Luc Beauséjour | E Minor | 3 | 9A | 104 BPM | ||
Susanna Galliard | John Dowland, The Royal Wind Music, Paul Leenhouts | D♭ Major | 1 | 3B | 76 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Sonata in E Minor, H. 66: I. Allemande | Carl Philipp Emanuel Bach, Marc-André Hamelin | E Minor | 2 | 9A | 104 BPM | ||
Canone a l'octave | Alexandre Pierre François Boëly, Maxime Heintz | E Minor | 0 | 9A | 69 BPM |