"Seven Songs, Op. 17:6 Till, KVällen (In the Evening)" by Birgit Nilsson, Geoffrey Parsons was released on March 3, 1953. With Seven Songs, Op. 17:6 Till, KVällen (In the Evening) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Seven Songs, Op. 17:6 Till, KVällen (In the Evening)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Songs, Op. 17:6 Till, KVällen (In the Evening) by Birgit Nilsson, Geoffrey Parsons having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni, K. 527, Act 1 Scene 9: No. 7, Duettino, "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: Ein ernster Tag, ein großer Tag! | Richard Strauss, Wilma Lipp, Franz Kasemann, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 125 BPM | ||
Tristan und Isolde, WWV 90 / Act II: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Wolfgang Windgassen, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm | A♭ Major | 2 | 4B | 88 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Aida, Act II, Scene 2: Il dolor che in quel volto favella (Tutti) | Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Mario Sereni, Bonaldo Giaiotti, Ferruccio Mazzoli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | C Minor | 1 | 5A | 72 BPM | ||
La traviata / Act III: "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 102 BPM | ||
Madama Butterfly / Act 2: Scuoti quella fronda di ciliegio | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 181 BPM | ||
Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" | Wolfgang Amadeus Mozart, Birgit Nilsson, Orchestra Of The National Theatre Prague, Karl Böhm | B♭ Major | 1 | 6B | 119 BPM |