Sofia Gubaidulina, Harri Ahmas, Osmo Vänskä, Sinfonia Lahti Chamber Ensemble's 'Concerto for Bassoon and Strings (1975): Third Movement' had a release date set for March 11, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 36 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Concerto for Bassoon and Strings (1975): Third Movement's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto for Bassoon and Strings (1975): Third Movement by Sofia Gubaidulina, Harri Ahmas, Osmo Vänskä, Sinfonia Lahti Chamber Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Dutilleux: Blackbird | Henri Dutilleux, Anne Queffélec | D♭ Major | 1 | 3B | 180 BPM | ||
7 Papillons: No. 6. — | Kaija Saariaho, Anssi Karttunen | G Major | 1 | 9B | 96 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM | ||
Sea Theme Vox Balaenae | George Crumb, Ensemble für Neue Musik Zürich | D♭ Major | 0 | 3B | 130 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
Lachenmann: Wiegenmusik | Helmut Lachenmann, Bertrand Chamayou | D♭ Major | 0 | 3B | 72 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM |