"Pärt: Statuit ei Dominus" by Arvo Pärt, Tõnu Kaljuste, Christopher Bowers-Broadbent, Ene Salumae, Estonian Philharmonic Chamber Choir, Kaia Urb, Tiit Kogermann was released on January 1, 1997. With this song being about 5 minutes long, at 5:05, "Pärt: Statuit ei Dominus" by Arvo Pärt, Tõnu Kaljuste, Christopher Bowers-Broadbent, Ene Salumae, Estonian Philharmonic Chamber Choir, Kaia Urb, Tiit Kogermann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Pärt: Beatus, Missa Syllabica, 7 Magnificat- Antiphonen & Solfeggio". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Pärt: Statuit ei Dominus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pärt: Statuit ei Dominus by Arvo Pärt, Tõnu Kaljuste, Christopher Bowers-Broadbent, Ene Salumae, Estonian Philharmonic Chamber Choir, Kaia Urb, Tiit Kogermann having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamb | John Tavener, 12 Ensemble | E Minor | 0 | 9A | 72 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Big My Secret | Michael Nyman | D Major | 1 | 10B | 77 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Opus 20 | Dustin O'Halloran | F Minor | 1 | 4A | 136 BPM | ||
Como cierva sedienta: IV | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | C Minor | 2 | 5A | 74 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM |