Giacomo Puccini, James Courtney, Luciano Pavarotti, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'Manon Lescaut / Act 3: Presto! In fila!' came out on January 1, 1993. The duration of Manon Lescaut / Act 3: Presto! In fila! is about 3 minutes long, at 3:28. Based on our data, "Manon Lescaut / Act 3: Presto! In fila!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #6. Manon Lescaut / Act 3: Presto! In fila! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 3: Presto! In fila! by Giacomo Puccini, James Courtney, Luciano Pavarotti, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen: Act I - "Habanera" | Czech Symphony Orchestra, Julian Bigg, Anne Marie Owens | D Major | 0 | 10B | 67 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Don Giovanni, K. 527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Josef Krips, Wiener Philharmoniker, Vienna State Opera Chorus, Cesare Siepi, Fernando Corena, Kurt Böhme, Suzanne Danco, Kurt Boehme, Anton Dermota, Lisa della Casa, Hilde Gueden, Walter Berry | B♭ Major | 3 | 6B | 80 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Fiordiligi, Dorabella and Don Alfonso's Trio (Soave sia il vento) from Così fan tutte | Wolfgang Amadeus Mozart, Walter Weller, London Philharmonic Orchestra, Diana Montague, Orla Boylan, Alan Opie | E Major | 1 | 12B | 87 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: E soffitto, e pareti (Pinkerton/Goro) | Giacomo Puccini, Carlo Bergonzi, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 7 | 3B | 105 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale smania vi prende?" (Sharpless, Pinkerton) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 64 BPM |