Johannes Brahms, Alban Berg Quartett's 'Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: III. Allegretto molto moderato e comodo' came out on October 1, 1993. Since Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: III. Allegretto molto moderato e comodo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 12 in Brahms: String Quartets by Johannes Brahms, Alban Berg Quartett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: III. Allegretto molto moderato e comodo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: III. Allegretto molto moderato e comodo by Johannes Brahms, Alban Berg Quartett is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
Papillons, Op. 2: XII. Finale | Robert Schumann, Boris Giltburg | D Major | 0 | 10B | 129 BPM | ||
12 Monferrinas, Op. 49: VIII. Vivace assai | Muzio Clementi, Howard Shelley | B♭ Major | 2 | 6B | 103 BPM | ||
Piano Trio No. 1 in E-Flat Major, Op. 12: I. Allegro agitato | Johann Nepomuk Hummel, Borodin Trio | B♭ Major | 1 | 6B | 95 BPM | ||
Piano Concerto No.2 in B-Flat Major, Op. 83/III. Andante | Johannes Brahms, Igor Levit, Christian Thielemann, Wiener Philharmoniker | B♭ Major | 0 | 6B | 87 BPM | ||
Porgy and Bess: A Woman Is a Sometime Thing (Arr. Heifetz for Violin and Piano) | George Gershwin, Randall Goosby, Zhu Wang | G Minor | 2 | 6A | 119 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36: III. Allegro molto | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Major | 1 | 6B | 76 BPM | ||
Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 122 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Piano Quintet in E-flat Major, Op. 44: I. Allegro brillante | Juilliard String Quartet, Leonard Bernstein | C Minor | 2 | 5A | 103 BPM |