Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra's 'Roses from the South, Op. 388' came out on January 1, 2009. Since Roses from the South, Op. 388 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra's "Great Strauss Waltzes, Polkas & Marches: Carl Michalski & The Viennese Folk Opera Orchestra" album is number 8 out of 32. The popularity of Roses from the South, Op. 388 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Roses from the South, Op. 388 by Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra to be Presto (very, very fast) because the track has a tempo of 186 テンポ, a half-time of 93テンポ, and a double-time of 372 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante | Anton Nanut, Slovenian Symphony Orchestra | E♭ Major | 1 | 5B | 138 BPM | ||
Kaiser (Emperor), Op. 437 : Kaiserwalzer | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 95 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Die Fledermaus / Act 3: Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande" | Johann Strauss II, Lucia Popp, Evi List, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 102 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Gaîté parisienne: No. 23: Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 101 BPM | ||
Sinfonia in C Major: I. Allegro | I Solisti di Zagreb, Anton Nanut | C Major | 3 | 8B | 118 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" | Felix Mendelssohn, Jenő Jandó | F♯ Minor | 0 | 11A | 67 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM |