Ludwig van Beethoven, Thomas Zehetmair, Deutsche Kammerphilharmonie Bremen made "Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 (Excerpt)" available on December 10, 2010. With Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 (Excerpt) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 100 Classical Classics, so we believe that "Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 (Excerpt)" is a single. In terms of popularity, Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 (Excerpt) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 (Excerpt) by Ludwig van Beethoven, Thomas Zehetmair, Deutsche Kammerphilharmonie Bremen is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
Beethoven: Triple Concerto for Violin, Cello and Piano in C Major, Op. 56: II. Largo (Live) | Ludwig van Beethoven, Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky | D Major | 2 | 10B | 143 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Pierre Amoyal, Mikhail Rudy | D Minor | 2 | 7A | 148 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
Cello Concerto No. 1 In C Major, Hob.VIIb:1 : II. Adagio | Franz Joseph Haydn, Capella Istropolitana, Ludovit Kanta | F Major | 0 | 7B | 89 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Concerto No. 3 in F Major, Op. 8 RV 293, "L'autunno" (Autumn): III. Allegro | Emmy Verhey | C Major | 2 | 8B | 78 BPM |