"O Jesu, all mein Leben bist du" by Anton Heiller, Augustin Kubizek, György Orbán, Hans Ludwig Schilling, Knut Nystedt, Adolf Brunner, Christopher David Wiggins, Friedrich Zehm, Hans-Joachim Marx, Martina van Lengerich, Augustinus Franz Kropfreiter, Peter Planyavsky, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 1 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, O Jesu, all mein Leben bist du's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Jesu, all mein Leben bist du by Anton Heiller, Augustin Kubizek, György Orbán, Hans Ludwig Schilling, Knut Nystedt, Adolf Brunner, Christopher David Wiggins, Friedrich Zehm, Hans-Joachim Marx, Martina van Lengerich, Augustinus Franz Kropfreiter, Peter Planyavsky, cantus et musica Freiburg, Raimund Hug to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto No. 1 in D Minor for One Harpsichord, BWV 1052: III. Allegro | Anton Heiller | A Minor | 4 | 8A | 112 BPM | ||
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): II. Adagio molto | Karoly Botvay | D Minor | 0 | 7A | 98 BPM | ||
Tartini: Sonata in G Minor, Op. 1, No. 10: III. Largo | Giuseppe Alessandro Ferruccio Tartini, Jan Tomasow, Anton Heiller | E♭ Major | 2 | 5B | 123 BPM | ||
Reger: 12 Orgelstücke, Op. 59: No. 9, Benedictus | Max Reger, Anton Heiller | F♯ Minor | 0 | 11A | 77 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Concerto Grosso in D minor for Two Violins and Strings, Op 3, No. 11 RV 565: i. Allegro; Adagio spiccato; Allegro | Vivaldi, Leonard Friedman, Camerata of St. Andrew, Richard Friedman, James Potter, Phillip Ledger | A Minor | 2 | 8A | 114 BPM | ||
Oboe Concerto No. 3 in G minor, HWV 287: 4. Allegro | George Frideric Handel, Heinz Holliger, English Chamber Orchestra, Raymond Leppard | C Major | 2 | 8B | 119 BPM | ||
Sinfonia Iii C Major - I - Allegro Assai | Josef Mysliveček, Czech Chamber Philharmonic | G Major | 3 | 9B | 147 BPM |