Robert Meadmore, Frances Ruffelle, Debbie Shapiro, Paige O'Hara, Mack & Mabel: In Concert 1988 London Cast Recording Company's 'When Mabel Comes In The Room - Live' had a release date set for February 21, 1988. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Jerry Herman's "Mack & Mabel: In Concert (Live at the Theatre Royal) [1988 London Cast Recording]" album is number 12 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, When Mabel Comes In The Room - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When Mabel Comes In The Room - Live by Robert Meadmore, Frances Ruffelle, Debbie Shapiro, Paige O'Hara, Mack & Mabel: In Concert 1988 London Cast Recording Company to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
There Is a Sucker Born Ev'ry Minute | Jim Dale | D♭ Minor | 9 | 12A | 146 BPM | ||
Candide, Act I (Remastered): Oh, Happy We | Leonard Bernstein, Robert Rounseville, Barbara Cook, Samuel Krachmalnick, Candide Orchestra | G Major | 2 | 9B | 130 BPM | ||
'Tis Harry I'm Plannin' to Marry (From "Calamity Jane") | Doris Day with Orchestra & Vocal Quartet | F Major | 3 | 7B | 100 BPM | ||
I'll Go Home with Bonnie Jean | Van Johnson | G Major | 4 | 9B | 128 BPM | ||
Honey Bun | Nellie Forbush | B♭ Major | 2 | 6B | 177 BPM | ||
I'm Hans Christian Andersen | Frank Loesser, Danny Kaye | A♭ Major | 2 | 4B | 110 BPM | ||
Gypsy: All I Need Is the Girl | Jule Styne, Paul Wallace, Sandra Church, Milton Rosenstock | F Major | 2 | 7B | 90 BPM | ||
Overture / Food, Glorious Food | Oliver! Ensemble, Oliver! Orchestra, Donald Pippin | D Minor | 1 | 7A | 85 BPM | ||
Cry | Stan Chandler, Guy Stroman, Jason Graae, David Engel | A Minor | 2 | 8A | 120 BPM | ||
Forty-Five Minutes from Broadway | James Cagney | F♯ Major | 6 | 2B | 170 BPM |