Nico Dostal, Rupert Glawitsch, Anneliese Rothenberger made "Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,)" available on September 29, 2014. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 34 in Dostal: Clivia by Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Rupert Glawitsch, Anneliese Rothenberger. Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,) by Nico Dostal, Rupert Glawitsch, Anneliese Rothenberger is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Avinu Malkeinu | Max Janowski, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Dein ist Mein Ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 134 BPM | ||
Core ‘ngrato (Transcr. for Tenor, Piano and Harp) | Salvatore Cardillo, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E♭ Major | 2 | 5B | 60 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Mercè, dilette amiche | Tamara Radjenovic, Makris Symphony Orchestra & Choir | A Minor | 3 | 8A | 112 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Forkladd gud, Op. 24: Vad faller over traden for silverglans | Lars-Erik Larsson, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | B Minor | 2 | 10A | 89 BPM | ||
Prinzessin Nofretete (Operette): Zwischenspiel: Lied Nofretete | Nico Dostal, Chor der Musikalischen Komödie Leipzig, Orchester der Musikalischen Komödie Leipzig, Stefan Klingele | E♭ Major | 1 | 5B | 104 BPM |