Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori's 'Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium' came out on 2011. Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. This song is part of Von Bingen: O Orzchis Ecclesia by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori. The song's track number on the album is #1 out of 12 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Praise The Lord From On High | Kiev Chamber Choir | F♯ Major | 0 | 2B | 136 BPM | ||
La Guamina | Adriano Banchieri, Paul O'Dette, The King's Noyse, David Douglass | A Minor | 0 | 8A | 97 BPM | ||
Во Царрствии Твоем | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 81 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: IV. Glory. Both Now. | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 1 | 7B | 125 BPM | ||
In I Vesperis: Antiphona. Gloria tibi trinitas | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Cherubic Hymn In D Major, Op. 60 | Kiev Chamber Choir | D Major | 2 | 10B | 73 BPM | ||
J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
Ad missam In Die: Alleluia. Pascha nostrum | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E Minor | 0 | 9A | 94 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM |