Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori's 'Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium' came out on 2011. Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. This song is part of Von Bingen: O Orzchis Ecclesia by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori. The song's track number on the album is #1 out of 12 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Antiphona, O orzchis Ecclesia 67, in dedicatione Ecclesiae (IV). Psalmus 94 AD Invitatorium being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cheruvimskaja Piesn | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 1 | 1A | 77 BPM | ||
Helas madam | Sirinu | F Major | 0 | 7B | 97 BPM | ||
Feria quarta: Communion. Christus resurgens | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | A Major | 0 | 11B | 79 BPM | ||
Karitas habundat | Anonymous , Hildegard von Bingen, Voices of Ascension, women section, Dennis Keene | F Minor | 0 | 4A | 77 BPM | ||
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
Nativity of the Mother of God, Megalynarion | Choir of the Monks of Chevetogne | F♯ Minor | 1 | 11A | 80 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor | G Major | 2 | 9B | 83 BPM |