"Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C." by Claude Debussy, Pierre-Laurent Aimard was released on January 8, 2022. The duration of Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 71 in the song's album "Start 2022 with Debussy". In this album, this song's track order is #16. In terms of popularity, Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. by Claude Debussy, Pierre-Laurent Aimard having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Erik Satie: Gymnopédie No. 1 | Pyotr Godunov | G Major | 1 | 9B | 69 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Rêverie, L. 68 | Claude Debussy, Axel Gillison | E♭ Major | 1 | 5B | 128 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
3 Gymnopédies: No.1 Lent et douloureux | Erik Satie, Jean-Yves Thibaudet | G Major | 0 | 9B | 74 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM |