Isobel Buchanan, John Pringle's 'Don Giovanni, K. 527, Act 1: "Là ci darem la mano"' came out on April 19, 2011. The duration of Don Giovanni, K. 527, Act 1: "Là ci darem la mano" is about 3 minutes long, at 3:14. Based on our data, "Don Giovanni, K. 527, Act 1: "Là ci darem la mano"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "I Do! - Classical Wedding Music" album is number 25 out of 79. Don Giovanni, K. 527, Act 1: "Là ci darem la mano" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K. 527, Act 1: "Là ci darem la mano" by Isobel Buchanan, John Pringle to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Comte Ory / Act 1: "Moi, je réclame | Gioachino Rossini, Juan Diego Flórez, Rosella Bevacqua, Marina de Liso, Bruno Pratico, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Norma / Act 1: Sgombra è la sacra | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 0 | 6B | 137 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Carmen / Act 2: Quintette: "Nous avons en tête une affaire!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 72 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Non so più...Ah, son perduto!" | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 120 BPM | ||
Werther / Act 1: "Jésus vient de naître!" - "Charlotte! Charlotte!" - "Ah! monsieur Werther!" - "Arriver donc, Brühlmann!" | Jules Massenet, José Carreras, Frederica von Stade, Robert Lloyd, Donaldson Bell, Linda Humphries, Isobel Buchanan, Children From The Royal Opera House Production, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | C Major | 0 | 8B | 124 BPM | ||
Tannhäuser - Paris version / Act II: Dich, teure Halle, grüß ich wieder | Richard Wagner, Cheryl Studer, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 2 | 9B | 73 BPM |