"Stopping By Woods On A Snowy Evening" by Rebecca Dale, Robert Frost, Tenebrae, Nigel Short, Philharmonia Orchestra was released on March 8, 2024. With this song being about 5 minutes long, at 5:07, "Stopping By Woods On A Snowy Evening" by Rebecca Dale, Robert Frost, Tenebrae, Nigel Short, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rebecca Dale: Night Seasons". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Stopping By Woods On A Snowy Evening is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stopping By Woods On A Snowy Evening by Rebecca Dale, Robert Frost, Tenebrae, Nigel Short, Philharmonia Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 121 - Arr. for Saxophone and Vocal Ensemble by Christian Forshaw | Christian Forshaw, Sir Henry Walford Davies, Tenebrae, Nigel Short | D Major | 0 | 10B | 132 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Lamentations Ieremiae Prophetae: Pars mea Dominus | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 85 BPM | ||
Lord, Now Lettest Thou | Sergei Rachmaninoff, Tenebrae, Nigel Short | F♯ Major | 0 | 2B | 131 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Song for Athene | John Tavener, Tenebrae | B♭ Major | 0 | 6B | 140 BPM | ||
Forgiveness | Raphael Ravescroft, Tenebrae | G Minor | 1 | 6A | 183 BPM |