"Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Vedrai, carino"" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine was released on January 1, 1997. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine's "Mozart: Opera Arias" album is number 9 out of 13. In terms of popularity, Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Vedrai, carino" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Vedrai, carino" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Per pieta, bell'idol mio | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 2 | 5A | 105 BPM | ||
Rigoletto / Act 3: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Luciano Pavarotti, Denyce Graves, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 3 | 3B | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 1: N. 5. Duettino: “Via, resti servita” | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Christiane Karg, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 97 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Crudele! ... Crudele? Ah no! mio bene!" | Wolfgang Amadeus Mozart, Rolando Villazón, Diana Damrau, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E♭ Major | 2 | 5B | 109 BPM | ||
Don Giovanni, K. 527: Mi tradì quell'alma ingrata | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lorin Maazel | B♭ Major | 1 | 6B | 112 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Aria - Deh Vieni Non Tardar | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Ingrid Kertesi, Maria Pia Ionata, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 0 | 7B | 69 BPM | ||
Rigoletto / Act 2: Tutte le feste al tempio (Gilda, Rigoletto) | Giuseppe Verdi, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 171 BPM |