George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner made "Messiah / Part 1: "And He shall purify the sons of Levi"" available on January 1, 1976. The duration of Messiah / Part 1: "And He shall purify the sons of Levi" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Messiah / Part 1: "And He shall purify the sons of Levi"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 5 out of 37. In terms of popularity, Messiah / Part 1: "And He shall purify the sons of Levi" is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Messiah / Part 1: "And He shall purify the sons of Levi" by George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Josquin: Ave Maria... Virgo Serena | Josquin des Prez, Peter Phillips, The Tallis Scholars | C Major | 1 | 8B | 69 BPM | ||
Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) | Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
Parry: Psalm LXXXIV: O how Amiable Are Thy Dwellings | Hubert Parry, Choir of King's College, Cambridge, Sir David Willcocks | E Major | 1 | 12B | 106 BPM | ||
Rutter: What Sweeter Music | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, Robert Quinney, City of London Sinfonia | F♯ Major | 1 | 2B | 136 BPM | ||
Oratorio de Noël, Op. 12: No. 3 Expectants expectavi Dominum | Camille Saint-Saëns, Gundula Schneider, Romano Giefer, Les Favorites, Holger Speck | A Minor | 2 | 8A | 83 BPM | ||
Ave Maria, gratia plena… Virgo serena | Josquin des Prez, The Cambridge Singers, John Rutter | C Major | 0 | 8B | 80 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Sir Neville Marriner, Academy Chorus of St Martin in the Fields, Academy of St. Martin in the Fields | G Major | 2 | 9B | 108 BPM | ||
Alma redemptoris mater | Giovanni Pierluigi da Palestrina, The King's Singers | C Major | 1 | 8B | 75 BPM | ||
The Trumpet Shall Sound - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Major | 1 | 10B | 120 BPM | ||
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" | Johann Sebastian Bach, Philip Ledger, Dame Janet Baker, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 126 BPM |