Giovanni Legrenzi, London Baroque's '16 Sonatas, Op. 8: No. 8, Sonata à 3 "La boiarda"' came out on November 6, 2012. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. In terms of popularity, 16 Sonatas, Op. 8: No. 8, Sonata à 3 "La boiarda" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 16 Sonatas, Op. 8: No. 8, Sonata à 3 "La boiarda" by Giovanni Legrenzi, London Baroque having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet | Johann Sebastian Bach, Frank Theuns, Les Muffatti | B♭ Minor | 2 | 3A | 65 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Helen Charlston, Guy Cutting, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Rossi: Il palazzo incantato, Prologue: "Vaghi rivi" (Pittura) | Luigi Rossi, Christina Pluhar, Véronique Gens | G Minor | 1 | 6A | 109 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Prosa pro mortuis, Dies Irae: VI. Judex ergo | Giovanni Legrenzi, Ricercar Consort, Philippe Pierlot | E♭ Minor | 1 | 2A | 93 BPM | ||
Cavalli: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Joyce DiDonato, Maxim Emelyanychev | C Minor | 1 | 5A | 137 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Beatus vir: IV. Peccator videbit | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 0 | 12B | 122 BPM | ||
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM |