"La Gioconda (1997 - Remaster), Act I: Polso di cerro!" by Amilcare Ponchielli, Irene Companeez, Piero Cappuccilli, Leonardo Monreale, Renato Ercolani, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan was released on 1960. The duration of La Gioconda (1997 - Remaster), Act I: Polso di cerro! is about 3 minutes long, at 3:17. Based on our data, "La Gioconda (1997 - Remaster), Act I: Polso di cerro!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 51 in the song's album "Ponchielli La gioconda". In this album, this song's track order is #6. In terms of popularity, La Gioconda (1997 - Remaster), Act I: Polso di cerro! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Gioconda (1997 - Remaster), Act I: Polso di cerro! by Amilcare Ponchielli, Irene Companeez, Piero Cappuccilli, Leonardo Monreale, Renato Ercolani, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Don Quixote: Act I: Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 0 | 9A | 178 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
La Gioconda / Act 4: "Ecco la barca, addio" - Live In New York / 1981 | Amilcare Ponchielli, Dame Joan Sutherland, Marilyn Horne, Luciano Pavarotti, New York City Opera Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 75 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM |