Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma)
- テンポ
- 71
- キー
- C Major
- キャメロットミュージックキー
- 8B
Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) - Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin 情報
- 音響性
- 98%
- ダンサビリティ
- 24%
- エネルギー
- 3%
- 手段性
- 0%
- 活気
- 8%
- ラウドネス
- 52%
- 話し言葉
- 5%
- 価数
- 7%
- 人気
- 8%
- ラウドネス
- -28.56 dB
まとめ
"Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma)" by Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on October 20, 2023. The duration of Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) is about 3 minutes long, at 3:20. Based on our data, "Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 29 out of 42 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) テンポ
The tempo marking of Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) by Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) キー
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | |
 | Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | |
 | Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | |
 | La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | |
 | Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | |
 | Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | |
 | Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | |
 | Mascagni: Cavalleria rusticana: "Regina coeli" | Pietro Mascagni, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | G Major | 3 | 9B | 52 BPM | |
 | Il Pirata (1997 Digital Remaster), ACT 2, Scene 3: Tu vedrai la sventurata | Vincenzo Bellini, Pier Miranda Ferraro/American Opera Society Orchestra/Nicola Rescigno, Nicola Rescigno, The American Opera Society Orchestra, Concertgebouworkest | F Major | 1 | 7B | 77 BPM | |
 | Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM |
- ISRC
- GBAYC2302128
- レコードレーベル
- L-M Records/RCA Records