"Nisi Dominus, RV 608: Cum dederit" by Antonio Vivaldi, Damien Guillon, Le Banquet Céleste had its release date on February 26, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 23 in Bach: Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater) - Vivaldi: Nisi Dominus, RV 608 by Céline Scheen, Damien Guillon, Le Banquet Céleste. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Nisi Dominus, RV 608: Cum dederit is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nisi Dominus, RV 608: Cum dederit by Antonio Vivaldi, Damien Guillon, Le Banquet Céleste is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Georgii: I. Kyrie | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | A Major | 0 | 11B | 74 BPM | ||
How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
St. John Passion, BWV 245: No. 7, Von den Stricken meiner Sünden | Johann Sebastian Bach, Damien Guillon, Bach Collegium Japan, Masaaki Suzuki | D Major | 2 | 10B | 80 BPM | ||
Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | ||
Requiem, K. 626: I. Introitus - Requiem aeternam | Wolfgang Amadeus Mozart, Sybilla Rubens, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 2 | 1B | 91 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Auf dem wasser zu singen D. 774 | Franz Schubert, Julian Prégardien, Christoph Prégardien, Michael Gees | A♭ Minor | 1 | 1A | 84 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM |