Giovanni Pacini, Louis Quilico, Leyla Gencer, Franca Mattiucci, Mario Guggia, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Tito del Bianco, Maurizio Piacente made "Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two" available on April 11, 2006. Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two by Giovanni Pacini, Louis Quilico, Leyla Gencer, Franca Mattiucci, Mario Guggia, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Tito del Bianco, Maurizio Piacente having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni Tenorio, o Il convitato di pietra: Act II Scene 6: Aria: Sento brillarmi il core (Zerlina) | Giovanni Pacini, Leonardo Cortellazzi, Geraldine Chauvet, Zinovia-Maria Zafeiriadou, Ugo Guagliardo, Giorgio Trucco, Giulio Mastrototaro, Transylvania State Philharmonic Choir, Southwest German Chamber Orchestra, Daniele Ferrari | C Major | 1 | 8B | 118 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Pacini: Carlo di Borgogna, Act 1: "Vago ciel del caro sposo" (Leonora, Chorus) | Giovanni Pacini, David Parry, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 78 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
La regina di Cipro: Allor ch'è a mezzo la notte bruna | Giovanni Pacini, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | A♭ Major | 2 | 4B | 124 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM |