Niccolò Paganini, Roberto Pasquini made "24 Caprices, Op. 1: No. 13 in B-Flat Major, La risata del diavolo: Allegro - Transcription By Roberto Pasquini" available on February 23, 2024. The duration of 24 Caprices, Op. 1: No. 13 in B-Flat Major, La risata del diavolo: Allegro - Transcription By Roberto Pasquini is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 24 Caprices, Op. 1: No. 13 in B-Flat Major, La risata del diavolo: Allegro - Transcription By Roberto Pasquini's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Nicolò Paganini: 24 Caprices Op. 1 for Unaccompanied Flute (Transcription by Roberto Pasquini)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Italy. 24 Caprices, Op. 1: No. 13 in B-Flat Major, La risata del diavolo: Allegro - Transcription By Roberto Pasquini is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 24 Caprices, Op. 1: No. 13 in B-Flat Major, La risata del diavolo: Allegro - Transcription By Roberto Pasquini by Niccolò Paganini, Roberto Pasquini having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": I. Larghetto affetuoso | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 1 | 6A | 103 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM |