"Charles Cushing:Pas De Deux" by Charles Cushing, Ole Edvard Antonsen, Einar Henning Smebye was released on 1989. The duration of Charles Cushing:Pas De Deux is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Charles Cushing:Pas De Deux's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Ole Edvard Antonsen, Trumpet/ Einar Henning Smebye, Piano". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Norway. Based on our statistics, Charles Cushing:Pas De Deux's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Charles Cushing:Pas De Deux by Charles Cushing, Ole Edvard Antonsen, Einar Henning Smebye having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVI. Toccata (Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): II. Merlyn's Tune and Tree Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | D Major | 1 | 10B | 78 BPM | ||
Horn Concerto in C Minor, Op. 8: II. Andante | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | A♭ Major | 0 | 4B | 80 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
A Duet For Our Time: Of Beauty | Columbus State University Trombone Ensemble, Bill Thomas, George Curran | C Major | 1 | 8B | 138 BPM | ||
Käraste min Theophile | Bellman Concerto Ensemble, Tomas Blank In Harmony | G Major | 0 | 9B | 138 BPM | ||
Requerdos De Girona 1. ”Locura En Cadaques” III | Christian Lindberg, Ian Bousfield, Joseph Alessi, Peter Moore | G Minor | 0 | 6A | 69 BPM | ||
Cereus, Poem for Orchestra | Charles Cushing, San Francisco Symphony, Enrique Jorda | B♭ Minor | 0 | 3A | 93 BPM |