Antonio Vivaldi, Chiara Banchini, Käthi Gohl, Véronique Méjean, Jesper Christensen made "Trio Sonata No. 8 in D Minor, Op. 1, RV 64: II. Corrente, allegro" available on 1991. With Trio Sonata No. 8 in D Minor, Op. 1, RV 64: II. Corrente, allegro being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: "La Follia", Sonate a due violini by Antonio Vivaldi, Ensemble 415, Chiara Banchini. The song's track number on the album is #3 out of 17 tracks. In terms of popularity, Trio Sonata No. 8 in D Minor, Op. 1, RV 64: II. Corrente, allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Trio Sonata No. 8 in D Minor, Op. 1, RV 64: II. Corrente, allegro by Antonio Vivaldi, Chiara Banchini, Käthi Gohl, Véronique Méjean, Jesper Christensen has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata No. 8 in D Minor, Op. 1, RV 64: II. Corrente, allegro being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: II. Allegro – Adagio | Arcangelo Corelli, Enrico Onofri | G Major | 2 | 9B | 129 BPM | ||
Sinfonia in D Major, BWV 1045: II. Adagio e piano sempre | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 171 BPM | ||
Concerto for violin, strings and continuo in B flat, RV 370: Allegro | La Serenissima, Mhairi Lawson | F Major | 1 | 7B | 113 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Symphony No. 78 in C Minor, Hob.I:78 - Edited H.C.Robbins Landon: 1. Vivace | Joseph Haydn, Accademia Bizantina, Ottavio Dantone | C Minor | 2 | 5A | 153 BPM | ||
Mandolin Concerto in C Major, RV 425: II. Largo | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | A Major | 1 | 11B | 100 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM |