The Tallis Scholars, Peter Phillips's 'Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum' had a release date set for October 1, 1985. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Thomas Tallis - Spem in Alium". In this album, this song's track order is #16. Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum by The Tallis Scholars, Peter Phillips having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby | William Byrd, The Monteverdi Choir, John Eliot Gardiner | D Minor | 0 | 7A | 134 BPM | ||
Missa Assumpta est Maria: Gloria | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 1 | 6B | 148 BPM | ||
Otche Nach: Vater unser | Nikolay Kedrov, Bulgarian National Svetoslav Obretenov Choir, Georgi Robev | C Major | 0 | 8B | 88 BPM | ||
Magnificat: IV. Et misericordia | John Rutter, The Cambridge Singers, Patricia Forbes, City of London Sinfonia | A♭ Major | 0 | 4B | 73 BPM | ||
Mid-Winter Songs: No. 2. Like snow | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | B Major | 0 | 1B | 130 BPM | ||
Gloria In Excelsis Deo (De Angelis) | Capella Gregoriana Easo | B Minor | 1 | 10A | 131 BPM | ||
Tallis: Loquebantur Variis Linguis - 3. Gloria Patri Et Filio | The Tallis Scholars, Peter Phillips | A♭ Major | 0 | 4B | 81 BPM | ||
Gloriana, Op. 53: Choral Dances: No. 5. Rustics and Fishermen | Benjamin Britten, The Cambridge Singers, John Rutter | G Major | 2 | 9B | 80 BPM | ||
The Lamb | John Tavener, Seraphic Fire, Patrick Dupre Quigley | E♭ Minor | 0 | 2A | 126 BPM | ||
Jauchzet dem Herrn alle Welt, MWV B 45 "Psalm 100" | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM |