"Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. With this song being about 5 minutes long, at 4:59, "Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #15. Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in D Minor, Op. 40: IV. Allegro | Dmitri Shostakovich, Matt Haimovitz, Christopher O'Riley | E♭ Major | 1 | 5B | 171 BPM | ||
Preludes & Fugues, K. 404a: Prelude No. 3 in F Major | Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney | F♯ Major | 1 | 2B | 142 BPM | ||
Si vous saviez | Eugène Ysaÿe, Marc Bouchkov, Georgiy Dubko | F Minor | 0 | 4A | 79 BPM | ||
Cello concerto in D major, K. 285 d: III. Allegro | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | E♭ Major | 1 | 5B | 121 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Cello Sonata in F Major, Op. 5 No. 1: I. Adagio sosenuto | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | E Minor | 0 | 9A | 81 BPM | ||
Cello Concerto, Op. 57: II. Andante. Solenne | Thomas de Hartmann, Matt Haimovitz, MDR Leipzig Radio Symphony Orchestra, Dennis Russell Davies | F♯ Minor | 0 | 11A | 75 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo) | Max Bruch, Matt Haimovitz, Chicago Symphony Orchestra, James Levine | D Major | 1 | 10B | 101 BPM | ||
Variations on a Slovak Folksong, H. 378 | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM |