"Youkali (Arr. for Accordion & Piano)" by Kurt Weill, Claudio Constantini, Louiza Hamadi was released on May 1, 2020. With this song being about 5 minutes long, at 5:03, "Youkali (Arr. for Accordion & Piano)" by Kurt Weill, Claudio Constantini, Louiza Hamadi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 20th Century Tango, so we believe that "Youkali (Arr. for Accordion & Piano)" is a single. The popularity of Youkali (Arr. for Accordion & Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Youkali (Arr. for Accordion & Piano) by Kurt Weill, Claudio Constantini, Louiza Hamadi is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Scaramouche : III. Brazileira | Darius Milhaud, Christian Ivaldi, Noël Lee | F Major | 3 | 7B | 117 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale (Adagio lamentoso - Andante) | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | B Minor | 1 | 10A | 83 BPM | ||
The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
Je ne t'aime pas | Kurt Weill, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 1 | 7B | 97 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | B♭ Major | 1 | 6B | 64 BPM | ||
Die Dreigroschenoper: Akt III, Der reitende Bote ("Horch, horch, horch") | Kurt Weill, Trude Hesterberg, Erich Schellow, Willy Trenk-Trebitsch, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 98 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 1 | 6B | 113 BPM |