Vladimir Horowitz's 'Kinderszenen (Scenes from Childhood), Op. 15: 9. Ritter vom Steckenpferd' came out on 1962. With Kinderszenen (Scenes from Childhood), Op. 15: 9. Ritter vom Steckenpferd being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Schumann: Kreisleriana, Op. 16; Wieck-Variations; Kinderszenen, Op. 15; Toccata in C Major, Op. 7". In this album, this song's track order is #18. Kinderszenen (Scenes from Childhood), Op. 15: 9. Ritter vom Steckenpferd is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen (Scenes from Childhood), Op. 15: 9. Ritter vom Steckenpferd by Vladimir Horowitz having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Étude in A-Flat Major, Op. 72, No. 11 - Remastered | Moritz Moszkowski, Vladimir Horowitz | A♭ Major | 2 | 4B | 73 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Prelude in G Minor, Op. 27, No. 1: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | C Minor | 1 | 5A | 141 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 (Transcr. for Piano By Ferruccio Busoni) | Johann Sebastian Bach, Vladimir Horowitz | G Minor | 0 | 6A | 71 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": II. Allegretto | Ludwig van Beethoven, Vladimir Horowitz | C Minor | 2 | 5A | 145 BPM | ||
Etude in F Major, Op. 72, No. 6 | Moritz Moszkowski, Vladimir Horowitz | F Major | 0 | 7B | 133 BPM |