"Intimate Sketches: No. 12, Lullaby" by Leoš Janáček, Olena Kushpler was released on August 27, 2021. With Intimate Sketches: No. 12, Lullaby being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Olena Kushpler's "Janáček: Piano Works" album is number 26 out of 28. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Intimate Sketches: No. 12, Lullaby's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intimate Sketches: No. 12, Lullaby by Leoš Janáček, Olena Kushpler to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude, Op. 3 No. 2, in C# Minor | Sergei Rachmaninoff, Manuel del Corral | F Major | 0 | 7B | 111 BPM | ||
Children's Album No. 2 "Sounds of Childhood": No. 8, Rhythmic Gymnastics | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: "Za vodou, za vodičkou" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Magdalena Kozená, Ladislav Elgr, Simon O'Neill | B Major | 1 | 1B | 125 BPM | ||
Années De Pèlerinage (1st Year), S. 160: No. 4, Au Bord D'une Source - Duo-Art 6664 | Franz Liszt, Peter Phillips, Alfred Cortot | E♭ Major | 2 | 5B | 92 BPM | ||
Night Song (After Nachtstück, D. 672/Op.36, No. 2) | Franz Schubert, Martin Stadtfeld | E♭ Major | 0 | 5B | 69 BPM | ||
On the Overgrown Path / Book 1: No. 10, The Barn Owl Has Not Flown Away | Leoš Janáček, Olena Kushpler | A♭ Minor | 0 | 1A | 76 BPM | ||
Lieder ohne Worte, Op. 19: 4. Moderato | Felix Mendelssohn, András Schiff | A Major | 0 | 11B | 70 BPM | ||
Der Erlkonig (Erlking, Transcription by Liszt) - Welte-Mignon 1260 | Franz Schubert, Peter Phillips, Ignacy Jan Paderewski | G Major | 1 | 9B | 63 BPM | ||
Katya Kabanova, JW I/8, Act III Scene 1: "Tu jdou! Maminka jde s nimi!" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Magdalena Kozená, Amanda Majeski, Ladislav Elgr, Pavlo Hunka, Katarina Dalayman, Andrew Staples, London Symphony Chorus | A♭ Minor | 3 | 1A | 128 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, Juan Francisco Otón | C Major | 2 | 8B | 91 BPM |