"St. Luke Passion: Part I: Adhuc eo loquente (St. Luke)" by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on January 22, 2004. The duration of St. Luke Passion: Part I: Adhuc eo loquente (St. Luke) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. St. Luke Passion: Part I: Adhuc eo loquente (St. Luke)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Penderecki, K.: St. Luke Passion". In this album, this song's track order is #5. In terms of popularity, St. Luke Passion: Part I: Adhuc eo loquente (St. Luke) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With St. Luke Passion: Part I: Adhuc eo loquente (St. Luke) by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | F Minor | 0 | 4A | 132 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 70 BPM | ||
Vespers, Op. 37: Nunc dimittis | Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia | E♭ Minor | 0 | 2A | 84 BPM | ||
Cantus In Memory Of Benjamin Britten | Arvo Pärt, Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 1 | 8A | 67 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |