Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef made "Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval)" available on January 1, 1999. The duration of Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Bergeron, S.: Perceval La Quete Du Graal (The Quest for the Grail, Vol. 1) (La Nef) by Sylvain Bergeron, La Nef. In terms of popularity, Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval) by Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cunti Simus Concanentes | Elben Schutte | G Major | 1 | 9B | 84 BPM | ||
Hymn to Dionysus No. 30 | Georgi Arnaoudov, The Orphic Ensemble, Theodora Pavlovich | C Minor | 2 | 5A | 124 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
O ignis Spiritus Paraclitus | Hildegard von Bingen, Vajra Voices, Shira Kammen | D Minor | 0 | 7A | 83 BPM | ||
Ginnie Pug or Strawberries and Cream (Arr. for Baroque ensemble by The Playfords) | John Playford, Playfords | D♭ Major | 4 | 3B | 106 BPM | ||
Hey, You, Wide Steppe | St. Petersburg Optina Pustyn Male Choir | G Minor | 1 | 6A | 88 BPM | ||
Memorare | Katharine Blake, Mediæval Bæbes | D♭ Minor | 2 | 12A | 206 BPM | ||
Dark-Eyed Sailor | La Nef, Kate Bevan-Baker | C Minor | 4 | 5A | 168 BPM | ||
Chançon ferai, que talenz m’en est pris | Thibaut de Champagne, Brigitte Lesne, Alla Francesca | D♭ Major | 2 | 3B | 94 BPM | ||
Missa Votiva, ZWV 18: Et incarnatus est | Jan Dismas Zelenka, Daniel Taylor, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 0 | 2A | 75 BPM |