"II a Visão dos Sete Anjos" by Almeida Prado, Paiva Netto, Música Legionária had its release date on March 1, 1991. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Sinfonia Apocalipse". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Brazil. Based on our statistics, II a Visão dos Sete Anjos's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With II a Visão dos Sete Anjos by Almeida Prado, Paiva Netto, Música Legionária having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations No. VII, Paganini, Liszt: La Campanella | Aprelstein | C Minor | 0 | 5A | 166 BPM | ||
Sonatina "in diem Nativitatis Christi MCMXVII" (No. 4), BV 274 | Ferruccio Busoni, Chiyan Wong | F Major | 0 | 7B | 129 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 80 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Fantasie in F Minor, D. 940, Op. 103: I. Allegro molto moderato | Franz Schubert, Pavel Kolesnikov, Samson Tsoy | F Minor | 1 | 4A | 106 BPM | ||
Gymnopédie No. 1 | Erik Satie, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
12 Klavierstucke, Op. 85: No. 12, Abendlied (Arr. for Cello & Piano) | Robert Schumann, Duo Arnicans | D♭ Major | 0 | 3B | 94 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
Pour bercer un convalescent pour deux pianos: I. Andantino sans lenteur | Reynaldo Hahn, Martin Jones, Adrian Farmer | B♭ Major | 0 | 6B | 72 BPM | ||
Suite sur des mélodies populaires grecques du Dodécanèse: I. Air de Karpathos | Yannis Constantinidis, Danae Papamattheou-Matschke, Uwe Matschke | A Minor | 1 | 8A | 83 BPM |