"Violin Concerto No. 2 "Vakara gaismā": I. Andante con passione - Cadenza I." by Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets was released on April 26, 2024. Violin Concerto No. 2 "Vakara gaismā": I. Andante con passione - Cadenza I. appears to be safe for all ages as it is not explicit. The track order of this song in Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets's "In Evening Light: Vasks • Schubert" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Violin Concerto No. 2 "Vakara gaismā": I. Andante con passione - Cadenza I. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No. 2 "Vakara gaismā": I. Andante con passione - Cadenza I. by Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Allegri: Miserere - 04. Ecce Enim Veritatem | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 71 BPM | ||
Quartet for Strings & Piano: II. Danze | Pēteris Vasks, Vadim Gluzman, Ilze Klava, Reinis Birznieks, Angela Yoffe | A Minor | 3 | 8A | 135 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Daphnis et Chloé, M. 57, Tableau I: Lever du jour | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | E Minor | 0 | 9A | 88 BPM | ||
Missa Papae Marcelli: 1. Kyrie | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 2 | 11B | 130 BPM |