Heitor Villa-Lobos, Shin-ichi Fukuda's 'Cinq Preludes pour Guitare, W 419: No. 2 in C Minor "Melodia Capadocia"' came out on January 1, 2009. The duration of Cinq Preludes pour Guitare, W 419: No. 2 in C Minor "Melodia Capadocia" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Cinq Preludes pour Guitare, W 419: No. 2 in C Minor "Melodia Capadocia"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "More of the Most Relaxing Guitar Music in the Universe" album is number 5 out of 30. On top of that, United States appears to be the country where this track was created. Cinq Preludes pour Guitare, W 419: No. 2 in C Minor "Melodia Capadocia" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cinq Preludes pour Guitare, W 419: No. 2 in C Minor "Melodia Capadocia" by Heitor Villa-Lobos, Shin-ichi Fukuda to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
Milonga (Cardoso) | Jorge Cardoso, Castellani-Andriaccio Duo | D Minor | 3 | 7A | 124 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 17 in D Major | Fernando Sor, Timo Korhonen | D Major | 0 | 10B | 79 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |